Der Freischutz in full score /
First performed in Berlin in 1821, Der Freischütz is recoognized as the wellspring of German Romantic opera. Is was immensely influential in subject matter, atmosphere, orchestration and other musical aspects on all later German operatic writing, including Wagner. It is still quite popular.
| Main Author: | |
|---|---|
| Format: | Kit |
| Language: | Spanish English |
| Published: |
New York:
Dover Publications,
1977.
|
| Edition: | Primera edición. |
| Series: | Dover orchestral scores
|
| Subjects: |
MARC
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| 100 | 1 | |a Weber, Carl Maria von. |d 1786-1826 |9 75530 | |
| 245 | 1 | 1 | |a Der Freischutz in full score / |c Carl Maria von Weber. |
| 250 | |a Primera edición. | ||
| 264 | 1 | |a New York: |b Dover Publications, |c 1977. | |
| 264 | 4 | |c ®1977 | |
| 300 | |a 203 páginas: |b par |c 30 cm | ||
| 336 | |2 rdacontent |a texto |b txt | ||
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| 338 | |2 rdacarrier |a volumen |b nc | ||
| 490 | |a Dover orchestral scores | ||
| 505 | 1 | |a Overture -- First act -- Introduction: Victoria! der Meister soll leben -- Trio with Chorus; O diese Sonne! -- Song: Hier im ird´schen Jammerthal -- Aria: scheweig! damit dich Niemand warnt -- Second act -- Duet; Schelm, halt fest! -- Arietta: Kommt ein schlanker Bursch gegangen -- Scene and Aria: Wie cahte mir der Schlummer -- Third act -- Entra´cte -- Folksong: Wir winden dir den Jurgfern-Kranz. | |
| 520 | 3 | |a First performed in Berlin in 1821, Der Freischütz is recoognized as the wellspring of German Romantic opera. Is was immensely influential in subject matter, atmosphere, orchestration and other musical aspects on all later German operatic writing, including Wagner. It is still quite popular. | |
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| 650 | 1 | 7 | |2 UCuenca-cdribv |a Orquesta |9 6154 |
| 852 | |a UC-YANUNCAY |f Compra |l 1 |m General |p 20061024 |q 20,49 |t A2087 |b 0 |d CDRY |e CDRY |g 782 |z 2006-61-02 | ||
| 942 | |c CR |2 ddc |r jessicap.torres@ucuenca.edu.ec | ||
| 999 | |c 46065 |d 46065 | ||