Complete piano sonatas: in two volumes / Volumen II
The towering composer who perfected the early sumphonic form and invented the modern string quarted also left his indelible mark on the sonata. During 50 years of inspired creative effort, Haydn experimented constantly with the sonata form, adding a clear thematic structure to the tonal design inher...
| Main Author: | |
|---|---|
| Format: | Kit |
| Language: | Spanish English |
| Published: |
New York:
Dover Publications,
1984.
|
| Edition: | Primera edición. |
| Subjects: |
MARC
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| 100 | 1 | |a Haydn, Franz Joseph. |d 1732-1809 |9 75044 | |
| 245 | 1 | 1 | |a Complete piano sonatas: |b in two volumes / |c Joseph Haydn- |n Volumen II |
| 250 | |a Primera edición. | ||
| 264 | 1 | |a New York: |b Dover Publications, |c 1984. | |
| 264 | 4 | |c ®1984 | |
| 300 | |a 234 páginas: |b par |c 31 cm | ||
| 336 | |2 rdacontent |a texto |b txt | ||
| 337 | |2 rdamedia |a no mediado |b n | ||
| 338 | |2 rdacarrier |a volumen |b nc | ||
| 505 | 1 | |a Sonata No. 39 in A Major (1774-76?) -- Sonata No. 31 in E Major (1774-76?) -- Sonata No. 32 in B Minor (1774-76?) -- Sonata No. 33 in D Major (1777?) -- Sonata No. 34 in E Minor (before 1778) -- Sonata No. 35 in C Major (before 1780) -- Sonata No. 36 in C-sharp Minor (before 1780) -- Sonata No. 37 in D Major (before 1780) -- Sonata No. 38 in E-flat Major (before 1780) -- Sonata No. 39 in G Major (before 1780) -- Sonata No. 40 in G Major (1784) -- Sonata No. 41 in B-flat Major (1784) -- Sonata No. 42 in D Major (1784) -- Sonata No. 43 in A-flat Major (before 1783) -- Sonata No. 44 in G Minor (1765/67) -- Sonata No. 45 in E-flat Major (1765/67) -- Sonata No. 46 in A-flat Major (1765/67) -- Sonata No. 47 in F Major (1765/67?) -- Sonata No. 48 in C Major (1789) -- Sonata No. 49 in E-flat Major (1789/90) -- Sonata No. 50 in C Major (1794/95) -- SOnata No. 52 in D Major (1794) -- SOnata No. 52 in E-flat Major (1794). | |
| 520 | 3 | |a The towering composer who perfected the early sumphonic form and invented the modern string quarted also left his indelible mark on the sonata. During 50 years of inspired creative effort, Haydn experimented constantly with the sonata form, adding a clear thematic structure to the tonal design inherited from earlier composers. | |
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