Gymnopédies, gnossiennes and other works for piano /
In his piano works especially, Erika Satie (1866-1925) was a witty musical caricaturist. The eccentric French composer loved to satirize academic rules in general and the impressionistic titles of Debussy´s compositions in particular, giving his own works such surrealistic names as PIeces in Pear Fo...
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Spanish English |
| Published: |
New York:
Dover Publications,
1989.
|
| Edition: | Primera edición. |
| Subjects: |
MARC
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| 245 | 1 | 1 | |a Gymnopédies, gnossiennes and other works for piano / |c Erik Satie. |
| 250 | |a Primera edición. | ||
| 264 | 1 | |a New York: |b Dover Publications, |c 1989. | |
| 264 | 4 | |c ®1989 | |
| 300 | |a 171 páginas: |b ilu |c 30 cm | ||
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| 505 | 1 | |a Sarabandes (1887) -- Gymnopédies (1888) -- Trois Gnossiennes (1890) -- Sonneries de la Rose + Croix (Trumpet calls of the Rose+Cross) (1892) -- Poudre d´Or (Gold Dust) (c. 1901) -- En Habit de Cheval (In riding habit) (Four hands) (1911). | |
| 520 | 3 | |a In his piano works especially, Erika Satie (1866-1925) was a witty musical caricaturist. The eccentric French composer loved to satirize academic rules in general and the impressionistic titles of Debussy´s compositions in particular, giving his own works such surrealistic names as PIeces in Pear Form and Dried Embryos, and annotating them with equally bizarre musical directions. | |
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