Norton anthology of Western music: ancient to baroque / Volume 1
This comprehensive collection of scores illustrates every significant trend and genre of Western music from antiquity to modern times, with a strengthened emphasis on twentieth-century music. The ideal companion to A History of Western Music, this anthology includes historically-significant scores,...
| Other Authors: | , |
|---|---|
| Format: | Kit |
| Language: | Spanish English |
| Published: |
New York:
W. W. Norton,
2006.
|
| Edition: | Quinta edición. |
| Subjects: |
MARC
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| 245 | |a Norton anthology of Western music: |b ancient to baroque / |c J. Peter Burkholder, Claude V. Palisca. |n Volume 1 | ||
| 250 | |a Quinta edición. | ||
| 264 | 1 | |a New York: |b W. W. Norton, |c 2006. | |
| 264 | 4 | |c ®2006 | |
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| 505 | 1 | |a Making Connections: How to use this anthology -- Acknowledgments -- Recordings -- The Ancient and Medieval worlds -- Music in Antiquity -- Roman Liturgy and Chant -- Song and Dance Music in the Middle Ages -- Poly phony through the Thirteenth Century -- French and Italian Music in the Fourteenth Century -- The Renaissance -- England and Burgundy in The Fifteenth Century -- Franco-Flemish Composers, 1450-1520 -- Sacred music in the Era of the Reformation -- Madrigal and Secular song in the Sixteenth Century -- The Rise of instrumental music -- The seventeenth century -- New styles in the seventeenth century -- The invention of opera -- Music for Chamber and Church in The Early Seventeenth Century -- France, England, Spain, and the New World in the Seventeenth Century -- Italy and Germany in the Late Seventeenth Century -- The eighteenth century -- The early eighteenth Century in Italy and France -- German Composers of the Late Baroque -- Appendixes and Indexes. | |
| 520 | 3 | |a This comprehensive collection of scores illustrates every significant trend and genre of Western music from antiquity to modern times, with a strengthened emphasis on twentieth-century music. The ideal companion to A History of Western Music, this anthology includes historically-significant scores, with a strengthened emphasis on twentieth-century music. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades, and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli's In ecclesiis, Lully's Te Deum, Haydn's Creation, and Prokofiev's Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvoy#345;ák, and Tchaikovsky; and new twentieth-century works by Satie, Bartók, Milhaud, Prokofiev, Varèse, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty. | |
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