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015121|2008 ||||||||r|||||||||||spa|| |
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|a 9780123706386
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|b spa
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|a spa
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082 |
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|a 006.6
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100 |
1 |
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|a Brinkmann, Ron
|9 124364
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245 |
4 |
4 |
|a The art and science of digital compositing: techniques for visual effects, animation and motion graphics
|c Ron Brinkmann
|h imp
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250 |
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|a 2a ed.
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264 |
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|a Boston
|b Morgan Kaufmann Publishers
|c 2008
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300 |
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|a 684 páginas:
|b ilu
|c 23.5x19cm
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504 |
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|a incl. ref.
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520 |
3 |
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|a The classic reference, with over 25,000 copies in print, has been massively expanded and thoroughly updated to include state-of-the-art methods and 400+ all-new full color images! At ILM, compositing is one of the most important tools we use. If you want to learn more, this excellent 2nd-edition is detailed with hundreds of secrets that will help make your comps seamless. For beginners or experts, Ron walks you through the processes of analysis and workflows - linear thinking which will help you become deft and successfully tackle any shot. - Dennis Muren ASC, Senior Visual Effects Supervisor, Industrial Light y Magic Ron Brinkman's book is the definitive work on digital compositing and we have depended on this book as a critical part of our in-house training program at Imageworks since the 1999 Edition. We use this book as a daily textbook and reference for our lighters, compositors and anyone working with digital imagery. It is wonderful to see a new edition being released and it will certainly be required reading for all our digital artists here at Imageworks. - Sande Scoredos, Executive Director of Training
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650 |
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|a Graficos por computadora
|9 124176
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653 |
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|a METODOS ESPECIALES DE COMPUTADORA
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852 |
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|a UC-YANUNCAY
|f Compra
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|p 20151215
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|t 10217
|v art
|w Ares visuales
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|g 006.6 ESTANTERIA ABIERTA
|z 2015-51-21
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|a http://sibuc.ucuenca.edu.ec/portada/10217-yan.jpg
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