The contemporaries: travels in the 21st century art world

Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of stealing images and forms from other makers. Among the diverse, often contestatory strategies included under the heading appropriation are the readymade, détournement, pastiche, rephotography, recombination, si...

Fuld beskrivelse

Bibliografiske detaljer
Hovedforfatter: White, Roger
Format: Bog
Sprog:Spanish
Fag:

MARC

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245 4 4 |a The contemporaries: travels in the 21st century art world  |c Roger White  |h imp 
264 |a New York  |b Bloomsbury  |c 2015 
300 |a 276 páginas:  |b ilu  |c 24 cm 
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520 3 |a Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of stealing images and forms from other makers. Among the diverse, often contestatory strategies included under the heading appropriation are the readymade, détournement, pastiche, rephotography, recombination, simulation and parody. Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation?s significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler 
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