Arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos
The yaraví is one of the most emblematic and typical genres of Ecuador. This degree work has as an objective the realization of scores to highlight the musical cultural identity through a mixture between the modern, as the electric bass and the own as the yaraví, analyzing in depth each specif...
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| Format: | bachelorThesis |
| Language: | spa |
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Universidad de Cuenca
2023
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| Online Access: | http://dspace.ucuenca.edu.ec/handle/123456789/41490 |
| _version_ | 1785802410723115008 |
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| author | Cevallos Larriva, Juan Mateo |
| author2 | Tigre Astudillo, David Ulises |
| author_facet | Tigre Astudillo, David Ulises Cevallos Larriva, Juan Mateo |
| author_sort | Cevallos Larriva, Juan Mateo |
| collection | DSpace |
| description | The yaraví is one of the most emblematic and typical genres of Ecuador. This degree work has
as an objective the realization of scores to highlight the musical cultural identity through a mixture
between the modern, as the electric bass and the own as the yaraví, analyzing in depth each
specific characteristic of the yaraví as the metric, structure, technique of interpretation in electric
bass; in addition to a deep analysis of each arrangement of electric bass duet. The first chapter
deals with the generalities of the yaraví, its history, meter, tempo and structure, presenting a
section of Ecuadorian yaravíes, exemplifying its importance and exposing the most important of
the genre. Subsequently, the yaravíes Puñales and Momentos de tristura are analyzed. The
selection of these themes is a critical point in this work, each arrangement will work with a different
instrumentation and this allows to have a variety of sonorities that we tried to preserve in the
arrangements for electric bass. Puñales has only two guitars and vocals. Momentos de tristura,
on the other hand, has two guitars, violin, piano and vocals. For the first piece, a piano score by
Fidel Pablo Guerrero was recorded, from which musical resources were extracted and used in
chapter 2 in the electric bass duet arrangement. In the yaraví, Momentos de tristura, a different
way of analysis was used, because an audio was extracted from the recording of Momentos de
tristura by the duo Benítez y Valencia. |
| format | bachelorThesis |
| id | oai:dspace.ucuenca.edu.ec:123456789-41490 |
| institution | Universidad de Cuenca |
| language | spa |
| publishDate | 2023 |
| publisher | Universidad de Cuenca |
| record_format | dspace |
| spelling | oai:dspace.ucuenca.edu.ec:123456789-414902023-03-20T19:21:35Z Arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos Cevallos Larriva, Juan Mateo Tigre Astudillo, David Ulises Artes Musicales Creaciones artísticas Culturas Música contemporánea The yaraví is one of the most emblematic and typical genres of Ecuador. This degree work has as an objective the realization of scores to highlight the musical cultural identity through a mixture between the modern, as the electric bass and the own as the yaraví, analyzing in depth each specific characteristic of the yaraví as the metric, structure, technique of interpretation in electric bass; in addition to a deep analysis of each arrangement of electric bass duet. The first chapter deals with the generalities of the yaraví, its history, meter, tempo and structure, presenting a section of Ecuadorian yaravíes, exemplifying its importance and exposing the most important of the genre. Subsequently, the yaravíes Puñales and Momentos de tristura are analyzed. The selection of these themes is a critical point in this work, each arrangement will work with a different instrumentation and this allows to have a variety of sonorities that we tried to preserve in the arrangements for electric bass. Puñales has only two guitars and vocals. Momentos de tristura, on the other hand, has two guitars, violin, piano and vocals. For the first piece, a piano score by Fidel Pablo Guerrero was recorded, from which musical resources were extracted and used in chapter 2 in the electric bass duet arrangement. In the yaraví, Momentos de tristura, a different way of analysis was used, because an audio was extracted from the recording of Momentos de tristura by the duo Benítez y Valencia. The yaraví is one of the most emblematic and typical genres of Ecuador. This degree work has as an objective the realization of scores to highlight the musical cultural identity through a mixture between the modern, as the electric bass and the own as the yaraví, analyzing in depth each specific characteristic of the yaraví as the metric, structure, technique of interpretation in electric bass; in addition to a deep analysis of each arrangement of electric bass duet. The first chapter deals with the generalities of the yaraví, its history, meter, tempo and structure, presenting a section of Ecuadorian yaravíes, exemplifying its importance and exposing the most important of the genre. Subsequently, the yaravíes Puñales and Momentos de tristura are analyzed. The selection of these themes is a critical point in this work, each arrangement will work with a different instrumentation and this allows to have a variety of sonorities that we tried to preserve in the arrangements for electric bass. Puñales has only two guitars and vocals. Momentos de tristura, on the other hand, has two guitars, violin, piano and vocals. For the first piece, a piano score by Fidel Pablo Guerrero was recorded, from which musical resources were extracted and used in chapter 2 in the electric bass duet arrangement. In the yaraví, Momentos de tristura, a different way of analysis was used, because an audio was extracted from the recording of Momentos de tristura by the duo Benítez y Valencia. 0009-0001-4264-1602 Licenciado en Instrucción Musical Cuenca 2023-03-20T16:25:47Z 2023-03-20T16:25:47Z 2023-03-17 bachelorThesis http://dspace.ucuenca.edu.ec/handle/123456789/41490 spa TMUS;205 Attribution-NonCommercial-NoDerivatives 4.0 Internacional http://creativecommons.org/licenses/by-nc-nd/4.0/ openAccess application/pdf 66 páginas application/pdf Universidad de Cuenca |
| spellingShingle | Artes Musicales Creaciones artísticas Culturas Música contemporánea Cevallos Larriva, Juan Mateo Arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos |
| title | Arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos |
| title_full | Arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos |
| title_fullStr | Arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos |
| title_full_unstemmed | Arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos |
| title_short | Arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos |
| title_sort | arreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricos |
| topic | Artes Musicales Creaciones artísticas Culturas Música contemporánea |
| url | http://dspace.ucuenca.edu.ec/handle/123456789/41490 |
| work_keys_str_mv | AT cevalloslarrivajuanmateo arreglosdedosyaraviesecuatorianoscontecnicasmodernasparaduodebajoselectricos |